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	<title>jasonbkohl.com &#187; News</title>
	<atom:link href="http://jasonbkohl.com/archives/category/film/feed/" rel="self" type="application/rss+xml" />
	<link>http://jasonbkohl.com</link>
	<description>Navigating the water between film student and film professional.</description>
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		<title>The 25 Faces of Independent Film</title>
		<link>http://jasonbkohl.com/archives/2010/links-for-2010-07-20/</link>
		<comments>http://jasonbkohl.com/archives/2010/links-for-2010-07-20/#comments</comments>
		<pubDate>Wed, 21 Jul 2010 00:07:44 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[25 New Faces of Indie Film Unveiled &#8211; indieWIRE An excellent list to watch out for. A few film students, a few new media people, a few doc people, and a few actors.]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.indiewire.com/article/filmmaker_magazine_unveils_its_annual_25_new_faces_of_independent_film/">25 New Faces of Indie Film Unveiled &#8211; indieWIRE</a></div>
<div class="delicious-extended">An excellent list to watch out for. A few film students, a few new media people, a few doc people, and a few actors.</div>
</li>
</ul>

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		<item>
		<title>July Cinema 2010</title>
		<link>http://jasonbkohl.com/archives/2010/july-cinema-2010/</link>
		<comments>http://jasonbkohl.com/archives/2010/july-cinema-2010/#comments</comments>
		<pubDate>Mon, 05 Jul 2010 20:17:33 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Art House Film]]></category>
		<category><![CDATA[Film Calendar]]></category>
		<category><![CDATA[Film Schedule LA]]></category>
		<category><![CDATA[Independent Film]]></category>
		<category><![CDATA[Los Angeles]]></category>

		<guid isPermaLink="false">http://jasonbkohl.com/?p=1977</guid>
		<description><![CDATA[This is a list of all the independent and art-house screenings in LA in July, compiled by fellow TFT Directing student Richard Parkin. July 2; 7:30pm – Lisandro Alonso Retrospective: Liverpool @ Billy Wilder Lisandro Alonso in person. Very excited about this ongoing retrospective. Along with Reygadas and Martel; Alonso stands out as one of the most [...]]]></description>
			<content:encoded><![CDATA[<p>This is a list of all the independent and art-house screenings in LA in July, compiled by fellow TFT Directing student Richard Parkin.</p>
<p>July 2; 7:30pm – Lisandro Alonso Retrospective: <em>Liverpool</em> @ Billy Wilder<br />
Lisandro Alonso in person. Very excited about this ongoing retrospective. Along with Reygadas and Martel; Alonso stands out as one of the most unique filmmakers in South American Cinema.</p>
<p>July 2; 7:30pm – Kubrick&#8217;s <em>The Shining</em> @ Egyptian</p>
<p>July 2; 8:00pm – <em>Billy Jack</em> and <em>Born Losers</em> with Director/Actor Tom Loughlin in person @ Cinefamily</p>
<p>July 3; 5:00pm – The Matrix Trilogy @ Egyptian</p>
<p>July 3; 8:00pm – Tom Loughlin&#8217;s <em>The Trial of Billy Jack</em> @ Cinefamily</p>
<p>July 3; 9:00pm – <em>Easy Rider</em> @ Hollywood Forever Cemetery</p>
<p>July 6 &amp; 7– Bong Joon-Ho Double Feature: <em>Mother</em> and <em>Memories of Murder</em> @ New Beverly</p>
<p>July 8, 9 &amp; 10 – Alejandro Jorodowski Double Feature: <em>El Topo</em> and <em>The Holy Mountain</em> @ New Beverly<br />
If you&#8217;ve never seen <em>The Holy Mountain</em>, do not miss it. It&#8217;s cinematic-acid.<br />
<span id="more-1977"></span></p>
<p>July 8; 7:30pm – <em>Rosemary&#8217;s Baby</em> and <em>A Reflection of Fear</em> @ Egyptian</p>
<p>July 9 – Angela Ismailos&#8217; <em>Great Directors </em>for One Week @ Nuart</p>
<p>July 9; 7:30pm – De Sica&#8217;s <em>Bicycle Thieves</em> and <em>Umberto D</em> @ Egyptian</p>
<p>July 9; 7:30pm – A Tribute to Dennis Hopper: <em>Easy Rider</em> and <em>The American Dreamer</em> @ Cinefamily</p>
<p>July 9; 7:30pm – The American Comedies of Ernst Lubitsch: <em>Trouble in Paradise</em> and <em>Desire</em> @ LACMA</p>
<p>July 9; 7:30pm – Lisandro Alonso Retrospective: <em>Los Muertos</em> and <em>Fantasma</em> @ Billy Wilder</p>
<p>July 10; 7:30pm – Kubrick&#8217;s <em>2001: A Space Odyssey</em> @ Egyptian</p>
<p>July 10; 7:30pm – Alain Cavalier&#8217;s <em>Le Combat Dans L&#8217;Ile</em> @ Cinefamily</p>
<p>July 10; 7:30pm – The American Comedies of Ernst Lubitsch: <em>Ninotchka</em> and <em>Bluebeard&#8217;s Eighth Wife</em> @ LACMA</p>
<p>July 10; 9:00pm – <em>Arsenic and Old Lace</em> @ Hollywood Forever Cemetery</p>
<p>July 11; 7:30pm – Melville&#8217;s <em>Army of Shadows</em> and <em>Bob Le Flambeu</em>r @ Egyptian</p>
<p>July 11; 6:30pm &amp; 9:30pm – <em>20,000 Leagues Under the Sea</em> (1916 Version) with live score by Stephin Merritt of The Magnetic Fields @ Cinefamily</p>
<p>July 11; 7:00pm – Lisandro Alonso Retrospective: <em>La Libertad</em> @ Billy Wilder</p>
<p>July 12; 7:00pm – Robert Siodmak&#8217;s <em>The Dark Mirror</em> @ A.M.P.A.S Samuel Goldwyn Theater</p>
<p>July 13; 8pm – <em>Daddy Longlegs</em> and Safdie Bros. Shorts with Ben and Joshua Safdie in person @ Cinefamily</p>
<p>July 14; 8:00pm – G.W. Pabst&#8217;s <em>Pandora&#8217;s Box</em> with live score by Cabeza De Vaca Arcestra @ Cinefamily</p>
<p>July 16; 7:30pm – Rohmer&#8217;s <em>My Night at Maud&#8217;s</em> and <em>Claire&#8217;s Knee</em> @ Aero</p>
<p>July 16; 7:30pm – The American Comedies of Ernst Lubitsch:<em>Design for Living</em> and <em>The Smiling Lieutenant</em> @ LACMA</p>
<p>July 16; 7:30pm – A Tribute to Dennis Hopper: <em>Mad Dog Morgan</em> and <em>Kid Blue </em>@ Cinefamily<br />
<em>Mad Dog Morgan</em> Director Philippe Mora in Person</p>
<p>July 17; 7:30pm – Rohmer&#8217;s <em>La Collectionneuse </em>and <em>Chole in the Afternoon </em>@ Aero</p>
<p>July 17; 7:30pm – The American Comedies of Ernst Lubitsch:<em>The Shop Around the Corner</em> and <em>Angel</em> @ LACMA</p>
<p>July 17; 9:00pm – <em>Saturday Night Fever</em> @ Hollywood Forever Cemetary</p>
<p>July 18; 7:30pm – <em>Happiness</em> and <em>Life During Wartime</em> with Todd Solondz in person@ Egyptian<br />
Alongside <em>The White Ribbon</em>, <em>A Prophet</em> and <em>Fish Tank</em>, <em>Life During Wartime</em> was one of the best films I saw at last year&#8217;s Telluride Film Festival. Amazing cast, hysterical and poignant script; I think it&#8217;s Solondz&#8217;s best film. Also, it&#8217;s beautifully shot on the RED by Ed Lachman.</p>
<p>July 19; 7:00pm – <em>The Blue Dahlia</em> @ A.M.P.A.S Samuel Goldwyn Theater</p>
<p>July 21; 7:30pm – <em>Dossier K</em> @ Egyptian</p>
<p>July 22; 7:30pm – Wilder&#8217;s <em>Sunset Blvd</em> and <em>Stalag 17</em> @ Aero</p>
<p>July 23; 7:30pm – Wilder&#8217;s <em>Some Like it Hot </em>and <em>Avanti</em> @ Aero</p>
<p>July 23; 7:30pm – A Tribute to Dennis Hopper: <em>Night Tide</em> and <em>Tracks</em> @ Cinefamily<br />
<em>Tracks</em> Director Henry Jaglom in Person</p>
<p>July 23; 7:30pm – The American Comedies of Ernst Lubitsch: <em>One Hour with You</em> and <em>The Merry Widow</em> @ LACMA</p>
<p>July 23 &amp; 24 – Preston Sturges Double Feature: <em>Christmas in July</em> and <em>Hail the Conquering Hero</em> @ New Beverly</p>
<p>July 24; 7:30pm – Wilder&#8217;s <em>The Apartment</em> and <em>Irma La Douce</em> @ Aero</p>
<p>July 24; 7:30pm – The American Comedies of Ernst Lubitsch: <em>To Be or Not to Be</em> and <em>A Royal Scandal</em> @ LACMA</p>
<p>July 24; 9:00pm – <em>High Noon</em> @ Hollywood Forever Cemetery</p>
<p>July 25; 7:30pm – Wilder&#8217;s <em>Double Indemnity </em>and <em>Ace in the Hole</em> @ Aero</p>
<p>July 25; 6:00pm – A Tribute to Dennis Hopper: <em>Blue Velvet</em>, <em>Hoosiers</em> and <em>River&#8217;s Edge</em> @ Cinefamily<br />
Cinefamily will also be hosting a BBQ for this triple feature.</p>
<p>July 25; 7:30pm – <em>Blazing Saddles</em> and <em>Silent Movie </em>with Mel Brooks in person @ Egyptian</p>
<p>July 26; 7:00pm – Orson Welles&#8217;s <em>The Stranger</em> @ A.M.P.A.S Samuel Goldwyn Theater</p>
<p>July 28; 7:30pm – <em>Young Frankenstein</em> and <em>The Man with Two Brains</em> @ Egyptian</p>
<p>July 29; 7:30pm – <em>Stones in Exile</em> and <em>Gimme Shelter</em> @ Aero</p>
<p>July 29; 7:30pm – Robert Altman&#8217;s <em>The Player </em>@ LACMA</p>
<p>July 30; 7:30pm – <em>Monterey Pop</em> and <em>Wattstax</em> @ Aero</p>
<p>July 30; 7:30pm – <em>Pal Joey</em> and <em>Book &amp; Candle</em> with Kim Novack in person @ Egyptian</p>
<p>July 30; 7:30pm – The American Comedies of Ernst Lubitsch: <em>The Marriage Circle</em> and <em>So This is Paris</em> @ LACMA</p>
<p>July 30; 8:00pm – A Tribute to Dennis Hopper: Restored 35mm print of <em>Out of the Blue</em> and <em>White Star</em> @ Cinefamily</p>
<p>July 31; 7:30pm – <em>Woodstock: The Director&#8217;s Cut</em> @ Aero</p>
<p>July 31; 7:30pm – <em>Picnic</em> and <em>Middle of the Night</em> @ Egyptian</p>
<p>July 31; 7:30pm – The American Comedies of Ernst Lubitsch: <em>Heaven Can Wait</em> and <em>Cluny Brown</em> @ LACMA</p>
<p>July 31; 7:30pm – A Tribute to Dennis Hopper: <em>The Last Movie</em> and <em>Colors</em> @ Cinefamily</p>
<p>July 31; 9:00pm – <em>Airplane!</em> @ Hollywood Forever Cemetery</p>
<p>This list comes from fellow UCLA TFT classmate Richard Parkin.</p>

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		<title>June Cinema 2010</title>
		<link>http://jasonbkohl.com/archives/2010/june-cinema-2010/</link>
		<comments>http://jasonbkohl.com/archives/2010/june-cinema-2010/#comments</comments>
		<pubDate>Thu, 27 May 2010 22:19:50 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[List of Specialty Films June 2010 Los Angeles]]></category>
		<category><![CDATA[Los Angeles Cinema]]></category>
		<category><![CDATA[Specialty Cinema]]></category>

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		<description><![CDATA[This is a great list compiled by fellow TFT classmate Richard Parkin highlighting classic programming happening around LA. Enjoy! June 1(also on May 30 &#38;31) – Leone &#38; Peckinpah: Duck You Sucker (aka Fistfull of Dynamite) and Bring Me The Head of Alfredo Garcia @ New Beverly June 2; 7:30pm – Rebel Without a Cause [...]]]></description>
			<content:encoded><![CDATA[<p>This is a great list compiled by fellow TFT classmate Richard Parkin highlighting classic programming happening around LA. Enjoy!</p>
<p>June 1(also on May 30 &amp;31) – Leone &amp; Peckinpah: <em>Duck You Sucker</em> (aka Fistfull of Dynamite) and <em>Bring Me The Head of Alfredo Garcia</em> @ New Beverly</p>
<p>June 2; 7:30pm – <em>Rebel Without a Cause</em> and <em>East of Eden</em> @ Egyptian</p>
<p>June 2 &amp;3 – Derek Jarman Double Feature: <em>Caravaggio</em> and <em>Wittgenstein</em> @ New Beverly</p>
<p>June 4; 7:30pm – <em>Apocalypse Now Redux</em> @ Egyptian</p>
<p>June 4 – 12 – Ferzan Ozpetek Retrospective @ Billy Wilder<br />
<span id="more-1925"></span></p>
<p>June 4; 7:30pm – <em>Naked Lunch</em> and <em>The New Age</em> with Peter Weller (aka Robocop) in Person @ Aero</p>
<p>June 4; 7:30pm – Nicholas Roeg&#8217;s <em>Performance</em> and Donald Cammell&#8217;s <em>White of the Eye</em> @ LACMA</p>
<p>June 5; 7:30pm – <em>West Side Story</em> @ Aero</p>
<p>June 5; 7:30pm – <em>Foxy Brown</em> and <em>Jacky Brown</em> w/ Pam Grier in person @ Egyptian</p>
<p>June 5; 7:30 pm – Donald Cammell&#8217;s <em>Wild Side</em> and <em>Demon Seed</em> @ LACMA</p>
<p>June 7; 7:00pm – Billy Wilder&#8217;s <em>Double Indemnity</em> @ A.M.P.A.S Samuel Goldwyn Theater</p>
<p>Already Sold Out.</p>
<p>June 8 – Brian De Palma Double Feature: <em>Blow Out</em> and <em>Femme Fatale</em> @ New Beverly</p>
<p>June 9; 7:00pm – Ellen Kura&#8217;s <em>The Betrayal</em> preceded by Ruby Yang&#8217;s <em>Tongzhi in Love</em> @ A.M.P.A.S Linwood Dunn Theatre</p>
<p>Free</p>
<p>June 9; 7:30pm – <em>Baraka</em> @ Egyptian</p>
<p>June 10; 7:30pm – <em>Bonne and Clyde</em> and <em>Alice&#8217;s Restaurant</em> @ Aero</p>
<p>June 10; 7:30pm – Digital Restoration of From Here To Eternity @ Egyptian</p>
<p>June 10; 7:30 pm – Preview Screening of Alain Resnais&#8217;s <em>Wild Grass</em> @ LACMA</p>
<p>June 11 – <em>The Cremaster Cycle</em> and <em>De Lama Lamina</em> @ Nuart</p>
<p>Plays for one week.</p>
<p>June 11; 8:00pm – <em>Kentucky Fried Move</em> and <em>Amazon Women On The Moon</em> @ Silent Film Theatre</p>
<p>June 11; 7:30pm – Bertolucci&#8217;s <em>The Conformist</em> @ LACMA</p>
<p>June 11, 12 – <em>Cries and Whispers</em> and <em>Interiors</em> @ New Beverly</p>
<p>June 12; 7:30pm – Bertolucci&#8217;s <em>The Conformist</em> @ LACMA</p>
<p>June 12; 7:30pm – <em>The Red Shoes</em> @ Aero</p>
<p>June 14; 7:00pm – Michael Curtiz&#8217;s <em>Mildred Peirce</em> @ A.M.P.A.S Samuel Goldwyn Theater</p>
<p>$3 for students. Likely to sell out</p>
<p>June 16, 17; 7:30pm – Two by Park Chan-wook: <em>Oldboy</em> and<em> Sympathy for Mr. Vengeance</em> @ New Beverly</p>
<p>June 17 – Los Angeles Film Festival Begins</p>
<p>June 17; 7:30pm – Chaplin&#8217;s <em>The Circus</em> @ Aero</p>
<p>June 17; 7:30pm – <em>The Magnificent Seven</em> and <em>Junior Bonner</em> @ Egyptian</p>
<p>June 18; 7:30pm – Chaplin&#8217;s <em>City Lights</em> and <em>A Woman In Paris</em> @ Aero</p>
<p>June 18; 8:00pm – <em>The Heartbreak Kid</em> and <em>Bone</em> @ Silent Film Thearte</p>
<p>June 19; 7:30pm – Chaplin&#8217;s <em>The Gold Rush</em> @ Aero</p>
<p>June 19; 7:30pm – Papillion @ Egyptian</p>
<p>June 20; 11:00am – Technicolor: One Vision From Set to Screen with Nancy Richardson @ Los Angeles Film Festival</p>
<p>June 20; 1:00pm – Kodak Focus: Conversation with Rodrigo Prieto @ Los Angeles Film Festival</p>
<p>June 20; 2pm – Chaplin&#8217;s <em>The Kid</em> @ Silent Film Theatre</p>
<p>June 20; 3pm – Chaplin&#8217;s <em>The Kid</em> @ Aero</p>
<p>June 20; 7pm – A Live Tribute to Fred Willard @ Silent Film Theatre</p>
<p>June 20; 7:30pm – <em>The Great Escape</em> @ Egyptian</p>
<p>June 20 &amp; 21 – <em>Point Blank</em> and <em>The Outfit</em> @ New Beverly</p>
<p>If you have never seen Point Blank, it is an absolute must. One of the best crime films ever made. It is an early blending of 60&#8242;s Hollywood filmmaking with European cinema. It also serves as a precursor to Soderberg&#8217;s The Limey and is an inspiration for almost all of Jim Jarmush&#8217;s work. Don&#8217;t miss it. The Outfit is also supposed to be exceptional but is widely unknown since it is very hard to find on home video.</p>
<p>June 21; 7:00pm – Robert Siodamak&#8217;s <em>The Killers</em> @ A.M.P.A.S Samuel Goldwyn Theater</p>
<p>June 22 &amp; 23; 7:30pm – <em>Bagdad Cafe</em> and <em>Gas Food Lodging</em> @ New Beverly</p>
<p>June 23; 8:00pm – An Evening with Sylvester Stallone! @ Los Angeles Film Festival</p>
<p>June 23; 7:30pm – Chaplin&#8217;s <em>Limelight</em> @ Aero</p>
<p>June 24; 7:30pm – Chaplin&#8217;s <em>Modern Times</em> and <em>A King in New York</em> @ Aero</p>
<p>June 24; 7:30pm – <em>The Red Shoes</em> @ Egyptian</p>
<p>This will be the screening where I finally see The Red Shoes.</p>
<p>June 25; 7:30pm – Chaplin&#8217;s <em>The Circus</em> and <em>The Gold Rush</em> @ Aero</p>
<p>June 25 – Michael Winterbottom&#8217;s <em>The Killer Inside Me</em> @ Nuart</p>
<p>Plays for one week.</p>
<p>June 26; 6:00pm – Luchino Visconti&#8217;s <em>The Leopard</em> at The Orpheum Theatre @ Los Angeles Film Festival</p>
<p>June 26; 7:30pm – Chaplin&#8217;s <em>The Pilgrim</em> and <em>The Great Dictator</em> @ Aero</p>
<p>June 27; 3:00pm – Chaplin&#8217;s Shorts Program</p>
<p>June 28; 7:00pm – <em>The Strange Love of Martha Ivers</em> @ A.M.P.A.S Samuel Goldwyn Theater</p>
<p>$3 for students. Likely to sell out.</p>
<p>Lots of great offerings!</p>

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		<title>So You&#8217;re Moving To Hollywood/Foxes and Hedgehogs</title>
		<link>http://jasonbkohl.com/archives/2010/links-for-2010-05-19/</link>
		<comments>http://jasonbkohl.com/archives/2010/links-for-2010-05-19/#comments</comments>
		<pubDate>Thu, 20 May 2010 00:08:44 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://jasonbkohl.com/archives/2010/links-for-2010-05-19/</guid>
		<description><![CDATA[William Boyd on Mark Rothko and the play Red &#124; Art and design &#124; The Guardian I recently read this play for a job I was working on. The discussion between Foxes and Hedgehogs is fascinating. Once again the ancient adage that Archilochus evolved (later popularised by Isaiah Berlin) seems particularly apposite in Rothko&#8217;s case: [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.guardian.co.uk/artanddesign/2009/dec/12/mark-rothko-red-william-boyd">William Boyd on Mark Rothko and the play Red | Art and design | The Guardian</a></div>
<div class="delicious-extended">I recently read this play for a job I was working on. The discussion between Foxes and Hedgehogs is fascinating.</p>
<p>Once again the ancient adage that Archilochus evolved (later popularised by Isaiah Berlin) seems particularly apposite in Rothko&#8217;s case: &#8220;The fox knows many things – the hedgehog knows one big thing.&#8221; It&#8217;s an interesting binary exercise to divide artists into hedgehogs or foxes, and the New York School of abstract expressionists (with the exception of Willem de Kooning) can only be described as a pack, a flock of hedgehogs. It&#8217;s a matter of temperament, sheer gift and inclination if you find yourself a hedgehog or a fox. Da Vinci is a fox genius, Vermeer a hedgehog. Freud is a hedgehog, David Hockney is a fox. Graham Sutherland is a fox, Francis Bacon is a hedgehog – and so on. Certain artists know &#8220;one big thing&#8221; – they can do &#8220;one big thing&#8221; – and it shapes the art they make.</p>
</div>
</li>
<li>
<div class="delicious-link"><a href="http://johnaugust.com/archives/2010/moving-to-hollywoo">So you’re moving to Hollywood</a></div>
<div class="delicious-extended">Every year, thousands of 20-something guys and girls pack up their cars, leave their beloved suburban towns and head west to Los Angeles. And with good reason. LA is the international capital of television and motion pictures. Argue all you want about other places — Ne w York, New Orleans, Vancouver and Eastern Europe — but when all is said and done, LA is where you need to be. Granted, that may change over the next ten years, but as of 2010, LA is still the place.</div>
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		<title>UCLA Focuses on Showbiz 101</title>
		<link>http://jasonbkohl.com/archives/2010/links-for-2010-05-14/</link>
		<comments>http://jasonbkohl.com/archives/2010/links-for-2010-05-14/#comments</comments>
		<pubDate>Sat, 15 May 2010 00:10:51 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[A very interesting look at the two schools, including a look at what UCLA&#8217;s doing to try and catch up. UCLA focuses on showbiz 101 &#8211; Entertainment News, Brian Lowry, Media &#8211; Variety UCLA and USC often engage in spirited competition, although at times the scales have appeared almost as one-sided in the media and [...]]]></description>
			<content:encoded><![CDATA[<p>A very interesting look at the two schools, including a look at what UCLA&#8217;s doing to try and catch up.</p>
<ul class="delicious">
<li>
<div class="delicious-link"><a href="http://www.variety.com/article/VR1118018393.html?categoryid=1682&amp;cs=1">UCLA focuses on showbiz 101 &#8211; Entertainment News, Brian Lowry, Media &#8211; Variety</a></div>
<div class="delicious-extended">UCLA and USC often engage in spirited competition, although at times the scales have appeared almost as one-sided in the media and film realm as they have been on the football field.</div>
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		<title>When We Leave Wins Tribeca!</title>
		<link>http://jasonbkohl.com/archives/2010/links-for-2010-05-02/</link>
		<comments>http://jasonbkohl.com/archives/2010/links-for-2010-05-02/#comments</comments>
		<pubDate>Mon, 03 May 2010 00:05:06 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[When We Leave was the last feature I worked on before I left Berlin. I was so happy to see it win Tribeca. Congratulations to Feo! Tribeca Fest Honors &#8216;When We Leave&#8217; &#38; &#8216;Monica and David&#8217; &#8211; indieWIRe Expressing “gratitude” and “surprise,” German director Feo Aladag’s “When We Leave” (Die Fremde) took the Tribeca Film [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://jasonbkohl.com/wp-content/uploads/2010/05/100429_TribecaWinner2Main.jpg"></a><a href="http://jasonbkohl.com/wp-content/uploads/2010/05/kinoplakat.jpg"><img class="aligncenter size-full wp-image-1834" title="kinoplakat" src="http://jasonbkohl.com/wp-content/uploads/2010/05/kinoplakat.jpg" alt="" width="451" height="638" /></a></p>
<p><a href="http://jasonbkohl.com/wp-content/uploads/2010/05/100429_TribecaWinner2Main.jpg"><img class="aligncenter size-full wp-image-1833" title="100429_TribecaWinner2Main" src="http://jasonbkohl.com/wp-content/uploads/2010/05/100429_TribecaWinner2Main.jpg" alt="" width="400" height="300" /></a></p>
<p>When We Leave was the last feature I worked on before I left Berlin. I was so happy to see it win Tribeca. Congratulations to Feo!</p>
<blockquote><p><a href="http://www.indiewire.com/article/tribeca_film_fest_gives_leave_and_monica_david_its_top_prizes/">Tribeca Fest Honors &#8216;When We Leave&#8217; &amp; &#8216;Monica and David&#8217; &#8211; indieWIRe</a></p>
<p>Expressing “gratitude” and “surprise,” German director Feo Aladag’s  “When We Leave” (Die Fremde) took the Tribeca Film Festival’s Founders  Award for Best Narrative Feature, while American director Alexandra  Codina’s “Monica &amp; David” won Best Documentary Feature at a ceremony  in Manhattan’s Union Square Thursday evening. Both winner received  $25,000 in cash and their respective original pieces of art.</p></blockquote>
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		<title>The New Dating Game/Don&#8217;t Make the Feature Version of Your Short</title>
		<link>http://jasonbkohl.com/archives/2010/links-for-2010-04-30/</link>
		<comments>http://jasonbkohl.com/archives/2010/links-for-2010-04-30/#comments</comments>
		<pubDate>Sat, 01 May 2010 00:07:04 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Two very interesting articles, one on how mating structures seem to be changing in America, the other about why you shouldn&#8217;t make the feature version of your short film. I have to agree with John August on that one. The New Dating Game by Charlotte Allen Welcome to the New Paleolithic, where tens of thousands [...]]]></description>
			<content:encoded><![CDATA[<p>Two very interesting articles, one on how mating structures seem to be changing in America, the other about why you shouldn&#8217;t make the feature version of your short film. I have to agree with John August on that one.</p>
<ul class="delicious">
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<div class="delicious-link"><a href="http://weeklystandard.com/print/articles/new-dating-game?page=12">The New Dating Game by Charlotte Allen</a></div>
<div class="delicious-extended">Welcome to the New Paleolithic, where tens of thousands of years of human mating practices have swirled into oblivion like shampoo down the shower drain and Cro-Magnons once again drag women by the hair into their caves—and the women love every minute of it. Louts who might as well be clad in bearskins and wielding spears trample over every nicety developed over millennia to mark out a ritual of courtship as a prelude to sex: Not just marriage (that went years ago with the sexual revolution and the mass-marketing of the birth-control pill) or formal dating (the hookup culture finished that)—but amorous preliminaries and other civilities once regarded as elementary, at least among the college-educated classes.</div>
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<div class="delicious-link"><a href="http://johnaugust.com/archives/2010/dont-make-feature-fro-your-short">Don’t make the feature version of your short &#8211; Johnaugust.com</a></div>
<div class="delicious-extended">
<p>I had coffee today with a writer-director whose acclaimed short film got him many awards and meetings all over town. And deservedly: it’s terrific, a labor of love that took several years to make.</p>
<p>He said he was finishing up the screenplay for the feature version. I told him to focus on something else instead. You shouldn’t make the feature version of your short.</p>
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		<title>Sundance and Nicholls Deadlines Tomorrow!</title>
		<link>http://jasonbkohl.com/archives/2010/sundance-and-nicholls-deadlines-tomorrow/</link>
		<comments>http://jasonbkohl.com/archives/2010/sundance-and-nicholls-deadlines-tomorrow/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 07:04:27 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[For all of you writers out there, the postmark deadlines for the Sundance Screenwriters Lab and The Nicholls Fellowship are tomorrow! Submit!]]></description>
			<content:encoded><![CDATA[<p>For all of you writers out there, the postmark deadlines for the <a href="http://jasonbkohl.com/archives/2010/opportunities-for-filmmakers-sundance-screenwriters-lab/">Sundance Screenwriters Lab</a> and <a href="http://jasonbkohl.com/archives/2010/the-nicholls-fellowship-in-screenwriting/">The Nicholls Fellowship</a> are tomorrow! Submit!</p>

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		<title>Howard Suber: Why They Hate Our Movies</title>
		<link>http://jasonbkohl.com/archives/2010/links-for-2010-04-24/</link>
		<comments>http://jasonbkohl.com/archives/2010/links-for-2010-04-24/#comments</comments>
		<pubDate>Sun, 25 Apr 2010 00:05:47 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Howard Suber]]></category>
		<category><![CDATA[UCLA Film School]]></category>

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		<description><![CDATA[Howard Suber: Why They Hate Our Movies Howard Suber is a founder of the Producer&#8217;s Program at UCLA and teacher of a legendary course on structure. In this article he looks at the success of the Hollywood film and it&#8217;s root (as all good drama he argues) in individualism. Why do people around the world [...]]]></description>
			<content:encoded><![CDATA[<ul class="delicious">
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<div class="delicious-link"><a href="http://www.huffingtonpost.com/howard-suber/why-they-hate-our-movies_b_29396.html">Howard Suber: Why They Hate Our Movies</a></div>
<div class="delicious-extended">Howard Suber is a founder of the Producer&#8217;s Program at UCLA and teacher of a legendary course on structure. In this article he looks at the success of the Hollywood film and it&#8217;s root (as all good drama he argues) in individualism.</p>
<blockquote><p>Why do people around the world continue to prefer American films after all these years? I don&#8217;t think it&#8217;s because our films are &#8220;better&#8221;; I think it&#8217;s because most American films sell something that people want, something they&#8217;re hungry for, and can never get enough of.</p>
<p>What they&#8217;re selling also explains why today, as always, there are a significant number of people who hate our movies. What American movies are selling is the Unstated State Religion of America: Individualism &#8212; the belief that the most important power in the world lies within each person.</p></blockquote>
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		<title>The Coming Revolution in Indie Distribution/ Tribeca&#8217;s Bold New Move</title>
		<link>http://jasonbkohl.com/archives/2010/links-for-2010-04-21/</link>
		<comments>http://jasonbkohl.com/archives/2010/links-for-2010-04-21/#comments</comments>
		<pubDate>Thu, 22 Apr 2010 00:07:26 +0000</pubDate>
		<dc:creator>jasonbkohl</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Film &#8211; The Coming Revolution in Indie Distribution &#8211; NYTimes.com LAST November inside a conference room at the University of Southern California in Los Angeles, a film consultant named Peter Broderick was doing his best to foment a revolution. Mr. Broderick, who helps filmmakers find their way into the marketplace, was spreading the word on [...]]]></description>
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<div class="delicious-link"><a href="http://www.nytimes.com/2010/01/17/movies/17dargis.html">Film &#8211; The Coming Revolution in Indie Distribution &#8211; NYTimes.com</a></div>
<div class="delicious-extended">LAST November inside a conference room at the University of Southern California in Los Angeles, a film consultant named Peter Broderick was doing his best to foment a revolution. Mr. Broderick, who helps filmmakers find their way into the marketplace, was spreading the word on an Internet-era approach to releasing movies that he believes empowers filmmakers without impoverishing them economically or emotionally. Mr. Broderick divides distribution into the Old World and New, infusing his PowerPoint presentation with insurgent rhetoric. He has written a “declaration of independence” for filmmakers that — as he did that afternoon — he reads while wearing a tricorn hat.</div>
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<div class="delicious-link"><a href="http://www.indiewire.com/article/more_talk_of_change_as_tribeca_fest_gets_underway/">(More) Talk of Change as Tribeca Fest Gets Underway &#8211; indieWIRE</a></div>
<div class="delicious-extended">Festival exposure doesn’t guarantee a film’s success in the marketplace, explained former Sundance Film Festival chief Geoff Gilmore today in Manhattan. Since his days with Robert Redford’s Utah event the business of festivals has evolved, according to Gilmore. Now, he’s in New York City alongside Robert De Niro as a brash, relatively young festival expands and redefines itself.</p>
<p>While a fest like the Tribeca Film Festival has primarily focused on showcasing films and trying to match filmmakers with buyers, this week the event takes a step in a new direction, hoping to help filmmakers monetize their movies by acquiring and releasing them on new digital platforms created by festival organizers.</p>
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